Exhibitions for international galleries and art fairs
Perfect designs in all art styles, like photorealism, impressionism, abstract expressionism, pop art, vintage art, … as well as graphical text compositions… or in my self developed style from 1993: OPTIK-DESIGN – My works have a biomorphic character. BioMorph is the unobstructed and liquid transformation from one form to another.
Creation of concepts and ideas from other artists in the airbrush technique and using classical painting. Individual production and painting on all possible materials such as wood panels, canvases, electronic light panels, plexiglass, MDF panels etc.
Krome Gallery
Berlin, Germany
01.08.2009 – 11.09.2009
DO THE STARS NEED A REASON TO SHINE
Concept and idea:
Markus Weisbeck, Offenburg, D/1965. Surface Gesellschaft für Gestaltung.
https://markusweisbeck.studio
Commissioned by KROME Gallery, Susi Montoro painted large-format wooden displays for the artist Markus Weisbeck. The two largest woodcuts in the exhibition “DO THE STARS NEED A REASON TO SHINE” were refined by S.Montoro using her particular airbrush technique. Graphical text images of poetically absurd invented words were sprayed onto wooden panels using a completely new method.
ART FORUM Berlin
The International Art Show
07.10. – 10.10.2010
For AIDS-3D (D. Keller & N. Kosmas)
Susanne Montoro created commissioned work for national as well as for international exhibitions and art fairs.
following concepts and ideas by:
Daniel Keller, Detroit, USA / 1986
Nik Kosmas, Minneapolis, USA / 1985
http://www.aids-3d.com
GALLERY NIKLAS BELENIUS
Stockholm, Sweden
airbrush on plexiglass, 30 x 30 cm
airbrush on plexiglass, 30 × 30 cm
ART FORUM Berlin
The International Art Show
07.10. – 10.10.2010
For AIDS-3D (D. Keller & N. Kosmas)
Susanne Montoro created commissioned work for national as well as for international exhibitions and art fairs.
following concepts and ideas by:
Daniel Keller, Detroit, USA / 1986
Nik Kosmas, Minneapolis, USA / 1985
http://www.aids-3d.com
GALLERY NIKLAS BELENIUS
Stockholm, Sweden
GALERIE MONTGOMERY
Berlin, Germany
17.07.2009 – 30.07.2009
Exhibition:
SPECULATIONS ON COSMIC CULTURE
Plato with biometric overlay
The form has become the form—There is no longer a need for a distinction between the particular and the universal. Plato’s ‘faceness’ has been quantified and digitized and his biography, stress levels, horoscope, download queue, credit history and criminal record have all been cross-checked for potential threat-patternage. Are the laser lines a symbol of magic and wonder or of cold totalitarianism?
Plato with biometric overlay
airbrush on printed canvas
think.21 CONTEMPORARY GALLERY
Brussels, Belgium, 2009
Concept and idea:
Daniel Keller
Nik Kosmas
lasertarget-aquarius horoscope
airbrush on paper, 42 x 60 cm
lasertarget-aquarius horoscope
airbrush on paper, detail
GALLERY T293
Naples, Italy, 2011
Concept and idea:
Daniel Keller
Nik Kosmas
MUSEUM OF CONTEMPORARY ART
Sydney, Australia, 2016
25th anniversary of MCA Sydney
Performance: HOPE BREATHES THE MUSEUM
For the Australian artist T.Noble, the airbrush designer Susi Montoro has created 2 helmets based on her ideas using airbrushing. The helmet became a creative exhibition object for the first time at Künstlerhaus Bethanien.
Hope Breathes the Museum is a commissioned performance for the Sydney Museum of Contemporary Art’s 25th Anniversary in 2016. To kick off and conclude the weekend celebration, the performance served as a way to breathe in the past and exhale the future with beat-box singing techniques. For this purpose, the sprayed art helmet was impressively staged.
Airbrush-Design on helmet
Técha Noble, Australia / 1977
Técha Noble, Australia / 1977
KÜNSTLERHAUS BETHANIEN
Berlin, Germany
03.03.2016 – 27.03.2016
Exhibition:
CRYSTALLINE FOREST
Concept and idea:
Técha Noble, Australia / 1977
Susi Montoro, sitting
airbrush on helmet
STUDIO LASSE BRANDT
Berlin, Germany, 2016
airbrush on fluorescent tubes
BETWEEN BRIDGES
Berlin, Germany
19.09.2015 – 07.11.2015
Concept and idea:
Anders Clausen, Copenhagen, Denmark, 1978
Nickel galvanised bird feather
airbrush, 30 x 5 cm
GALERIE RÜDIGER SCHÖTTLE
Munich, Germany
18.02.2016 – 16.04.2016
Concept and idea:
Anders Clausen, Copenhagen, Denmark, 1978
The Danish artist A.Clausen had contour feathers of different bird species electroplated. For two exhibitions, the airbrush artist S.Montoro created artfully shimmering, completely new pen compositions with spray paint.
Nickel galvanised bird feather
airbrush, 30 x 5 cm
Nickel galvanised bird feather
airbrush, 34 x 4 cm
Perrotin – Contemporary Art Gallery
New York, USA
03.11. 2018 – 22.12.2018
Pawn Shop in the exhibition:
IN MEINER WOHNUNG GIBT ES VIELE ZIMMER
Concept and idea:
Gregor Hildebrandt,
Bad Homburg vor der Höhe, Germany, 1974
Since 2016, the artist Gregor Hildebrandt has repeatedly commissioned the Swiss airbrush artist to paint various chess pawns. Since then, more than 90 pawns, mostly white, have been made.
First, selected wooden chess pieces are cast in bronze. S.Montoro then repaints the bronze chess blanks with her filigree paint-mixing technique into corresponding wood imitations. She makes every single blank look deceptively real, as if the cast bronze was an original chess piece made of wood. The WOW effect comes when you lift what seems like a light wooden figure, because the small sculptures are heavy as lead.
Pawn Shop in the exhibition:
IN MEINER WOHNUNG GIBT ES VIELE ZIMMER
Concept and idea:
Gregor Hildebrandt,
Bad Homburg vor der Höhe, Germany, 1974
Since 2016, the artist Gregor Hildebrandt has repeatedly commissioned the Swiss airbrush artist to paint various chess pawns. Since then, more than 90 pawns, mostly white, have been made.
First, selected wooden chess pieces are cast in bronze. Susi Montoro then repaints the bronze chess blanks with her filigree paint-mixing technique into corresponding wood imitations. She makes every single blank look deceptively real, as if the cast bronze was an original chess piece made of wood. The WOW effect comes when you lift what seems like a light wooden figure, because the small sculptures are heavy as lead.
Concept and idea:
Gregor Hildebrandt,
Bad Homburg vor der Höhe, Germany, 1974
The idea behind his concept is to cast smaller objects from bronze to be painted later. For an international exhibition in 2016, this method was used to create, among other things, 4 cheese bites for a mixed media art project.